All across the country, in small towns, large cities, villages and hamlets, you will find remarkably beautiful traditional neighborhoods. These collections of houses were designed and grouped together to create a series of neighborhood streets and spaces of remarkable charm and character. Although we admire the variety and individuality of these houses, we are most struck by the way in which each individual house and public building relates to its neighbors and the consistently high design standards followed by all. There is never a discordant or incorrect house.
How was such a sophisticated level of design maintained for nearly 150 years? There were certainly not enough architects to design each of the houses. Architects did, however, contribute designs and principles to the building industry in a series of builders' handbooks known as Pattern Books. These books contained the principles and key details for a variety of architectural styles. They were the direct descendants of the books since Roman times, the means with which architects have passed along their knowledge of design to builders in remote places. From Vitruvius, to Palladio, to Asher Benjamin to the American Vignola, architects provided helpful guides for the building industry.
In the second half of the nineteenth century, Pattern Books became part of builders' marketing programs. These attractively designed books were easy to understand. Their pages combined realistic drawings of houses along with floor plans and important details. There were many choices of floor plans and arrangements of architectural elements, but all using the details and proportions of the style.
Pattern Books set the rules, but each builder found ways of interpreting them, elaborating on them, or even bending them. The result is a balance between individual expression and unity found in traditional neighborhoods. The patterns and elements of style were expressed differently in each region and often elements were "cross-bred" across different styles. They represented a consensus among architects, builders, realtors, and home buyers on the way to design houses and communities.
At UDA, we believe that by reviving the pattern book tradition we can restore a consensus that once existed and to continue building timeless places of lasting value.

 

 

 


WILLIAM T. COMSTOCK, 1881

KEY CONSTRUCTION AND
PROPORTIONING DETAILS,
ASHER BENJAMIN



WILLIAM T. COMSTOCK, 1881